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Concept about "Maison de Urushi"

Traditional urushi (lacquer) art can be found all over Japan, and Kagawa is no exception. The urushi of Sanuki (the old name for Kagawa), cultivated and harvested amid lush landscapes overlooking the Seto Inland Sea, makes for markedly brighter and more colorful lacquerwork than that of other regions. The Maison de Urushi, or 'house of lacquer', was conceived to help more people get to know Sanuki lacquer, including children and students from around the world. The wooden family home of lacquer artist Hayato Otani, born and raised on the island of Ogijima, has been renovated by Otani in conjunction with fellow lacquer artist Shozo Kitaoka and a group of young lacquer artists into a place where visitors can experience for themselves the look and sensual feel of lacquer.
The idea is to provide a space for craftspeople and artists working in a variety of genres, primarily Kagawa lacquer artists, to meet, socialize and explore new connections between lacquer and contemporary living.

Why a house of lacquer?
These days lacquer may be less frequently used on a day-to-day basis, but as a material, a technique and a philosophy for making things it has never been more worthy of serious consideration, not only from the standpoint of tradition, but also for its eco-friendliness and durability. That's what the Project member thought, and the Maison de Urushi indeed offers much food for thought on a new age of 'living with lacquer'.
The aim is to make this a place where the craftspeople that sustain Sanuki lacquerwork, along with artists, artisans in other fields, designers and architects can explore the possibilities of Sanuki lacquer. A place to experiment with ideas using lacquer, present those ideas, and think about ways to connect lacquer to everyday living...in short, a place of the future, where Sanuki lacquerwork meets a multiplicity of other realms.
The 'house of lacquer' will really be a house; a homely spot where people can enjoy a chat, take their time. Hopefully it will be used as a teahouse, as accommodation, as a place to discuss lacquer, a place where people from all walks of life can come together and share their ideas on craft, design, and living.

About Sanuki lacquer
Sanuki lacquerwork has its origins in the Edo period and the efforts of one Tamakaji Zokoku, who embarked on an in-depth study of Chinese and other Asian lacquer techniques and came up with a number of original techniques that went on to form the foundation of Sanuki lacquerwork.
Thanks then to the generous patronage of generations of the Matsudaira rulers of Takamatsu, the region produced a stream of superlative lacquer artists and lacquer merchants. Sanuki lacquer has developed even further in the modern era, and five decorative techniques: kinma, zonsei, choshitsu, goto-nuri and zokoku-nuri, are now officially designated examples of traditional Japanese craftwork. Sanuki lacquer is versatile, with craftsmen creating products for a staggering variety of everyday uses, from accessories to furniture and household goods.
Lacquer is integral to life in Kagawa: the prefecture even has its own institute for the study of lacquer, established in 1954 to train the young craftsmen and women key to the future of Sanuki lacquerwork. Lacquer art is also taught at Kagawa Prefectural Takamatsu-Kougei High School.


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The white room


The first room in the right wing of the house is the white room, featuring walls and floor coated in white lacquer. Feel how cool it is to the touch. There's not much to the room, but have a seat. Stretch out if you like. Take in the view of the Seto Inland Sea. Open the sliding door. Behind it you'll find a piece of lacquer art that segues from white to red like a sunset; wickerwork painstakingly fashioned from lacquer-coated wooden tape by Hayato Otani. → Plan

The black room


The second room in the right wing is the black room. Here the visitor is greeted with a technicolor display of stars carved using choshitsu, a characteristic technique of Sanuki lacquerwork. Choshitsu involves first applying multiple coats of colored urushi, then carving through the layers, in this work supervised by Shozo Kitaoka, as if creating new stars out in the cosmos.  → Plan


Living room


The left wing of the house contains the 'cha-no-ma' or living room. Please feel free to take a break here. Four hundred yen will get you tea and tokoroten jelly made from 100% natural Ogijima agar-agar. This is also a chance to actually use everyday household items made from lacquer. The cups here for example are cups from the island that were no longer needed, recycled with a fresh coat of lacquer. This ability to recoat items and use them again perfectly illustrates the eco-friendly nature of lacquer.

Urushi (Lacquer ware) Workshop at Maison de Urushi

Workshop of Urushi (Lacquer ware) is scheduled
at Maison de Urushi at Ogijima in autumn term of Setouchi Triennale 2016.
Lacquer artists will teach you one of the techniques
"Chou Shitsu (Curving)" to make your original coasters.

Date: October 9th (Sun.) | October 22nd (Sat.)
Time: 13:00 - 16:00
Fixed Number: 10 for each
* Please bring a towel. It can get dirty.
Contact Information
NPO Archipelago PIC: Ms. Ito or Ms. Kushida
Email: info@archipelago.or.jp
TEL: +81 87 813 1001


Member

Representative:
Shozo Kitaoka(Lacquerer)

Representative:
Hayato Ootani(Lacquerer)

Lacquer Art Work:
Tamio Manabe(Lacquerer)

Lacquer Art Work:
Hiroshi Sasaki(Lacquerer)

Lacquer Art Work:
Kouji Mitani(Lacquerer)

Lacquer Art Work:
Tomoe Ikeda(Lacquerer)

Lacquer Art Work:
Takashi Tsuji(Lacquerer)

Lacquer Art Work:
Kouta Matsumoto(Lacquerer)

Lacquer Art Work:
Seiji Sakamoto(Lacquerer)

Lacquer Art Work:
Erika Mitani(Lacquerer)

Lacquer Art Work:
Rieko Uno(Lacquerer)

Lacquer Art Work:
Akihiro Onishi(Lacquerer)

Lacquer Art Work:
Takamasa Onishi(Lacquerer)

Lacquer Art Work:
Motoki Ogasawara(Lacquerer)

Lacquer Art Work:
Natsuko Kamigaki(Lacquerer)

Lacquer Art Work:
Yurika Tsuchida(Lacquerer)

Lacquer Art Work:
Kazushi Hirao(Lacquerer)

Architecture:
Hayato Kubo(Architect)

Architecture:
Yoshinori Shintani(Carpenter)

Architecture:
Takehiko Kiyokawa
(Field Management)

Architecture:
Kiyoaki Sotodate
(Carpenter Support)

Interior / Woodwork:
Shouhei Oka
(Architect)

Interior / Woodwork:
Ryouhei Matsumura
(Woodcrafter)

Tea Ceremony:
Haruyuki Chujo
(Tea Coordinator)

Produce:
Nobuko Shimuta
(Design Director)

Photo:
Aya Shirai
(Photographer)

Logo Design:
Shinji Nemoto
(Graphic Designer)

Web Design:
Yu Sakaguchi
(Designer)

Support:
Fumihiro Mii
(NPO Archipelago)

Support:
Ayaka Nishizaki
(NPO Archipelago)

Support:
Ayano Umeshita
(Mum in Ogijima)

Support:
Aiko Kimura
(Mum in Ogijima)

Support:
Yaeko Ooe
(Mum in Ogijima)

Support:
Kuniko Miyashita
(Mum in Ogijima)


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  • Tokoroten(*1) and Tea \500
    (*1: seaweed gelatin strips in tangy broth) and Tea
  • Japanese Green Tea \200

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